Many beginning guitarists are anxious to learn the guitar easily. However, most of them don’t really have a good idea of what this means. This article is aims to clear up a few misconceptions about learning playing fast, state some basic rules about learning to play the guitar fast and provide you with a general idea about how and when this style of playing should be used.
Myths about Playing the Guitar Fast
Despite this increasing trend about playing fast, speed is not relevant by itself. However, used in the context of good music and with taste, speed can really be a great asset.
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Another misconception about speed is that in order to learn to play guitar fast you have to practice fast. It is indeed true that at some point you will need to practice fast. However, the first step is to develop some techniques before you can work on playing fast. There’s no way to learn these techniques other than slowly.
How to Learn to Play Guitar fast.
The key to playing fast is being able to think before you play. Aaron Shearer, a famous guitar teacher, promoted the “aim directed movement‿, meaning that you have to know exactly where your fingers should go before you move them there. You can only achieve this by slow practice.
You should develop your finger strength as well, and practice not only flexing the finger, but extending it as well. Since we were born we have used our hands to grab things and hold them, developing our flexors. You need to develop your extensors as well in order to learn to play guitar fast. A good way to do this is by practicing Rasgueados.
You can build body energy to hold out during the fast playing periods by practicing speed bursts. On a speed burst you have to take a small piece of a scale and play it forwards and backwards using the eighth note as the rhythmic value for every note. Play the same part of the scale backwards and forwards without stopping, using the sixteenth note instead. Thus you can isolate the problems in playing a scale, such as string crossings or shifts.
How to Use Speed the Right Way.
Scott Tennant makes a good statement about speed in his book, Pumping Nylon. He states that when you look at a good piece of music, you notice that the Fast-playing parts only last for a couple of measures. While knowing your scales and being able to play them quickly is a good thing, it’s not necessary to use this speed for long periods of time.
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There are several articles available online to help you learn to play guitar fast. However, don’t expect it to come is. There will actually be a lot of work involved. You should begin by learning about several strategies of developing your finger strength, speed bursts and Rasgueados.
Greg Howe Interview
by Mark Rabuffo.
Mention the name Greg Howe to an aficionado of contemporary electric guitar music and aural visions of smooth legato runs, wah-laden solos and funky, syncopated rhythms will run through his or her head. Greg has garnered a well-deserved reputation as a guitar virtuoso with one of the most recognizable voices in the instrumental electric guitar pantheon. Greg has been making records since 1988 after Mike Varney heard the Howe demo submitted for Varney’s Spotlight column in Guitar Player magazine. The album, Greg Howe, featured drummer Atma Anur and bass phenom Billy Sheehan, and marked the beginning of a long and fruitful solo career. Greg has also lent his guitar prowess to well-known pop superstars such as Michael Jackson, Enrique Iglesias, *NSYNC and Justin Timberlake. Howe’s most recent CD, Sound Proof, on Varney’s Shrapnel/Tone Center label, features a new band and further cements his position as one of the electric guitar’s most unique voices. I spoke to Greg on July 6, 2008, about Sound Proof and a number of….
Steve Lukather Interview
by Matt Baamonde.
Steve Lukather has been called “the best musician on the planet.” Though most often associated with the Grammy-award-winning band Toto, Lukather’s association with Toto is simply the tip of his massive career iceberg. Over the past 30 years he has amassed credits on over 1,000 albums in every genre as a session guitarist, arranger, singer and composer, and has worked with a spectrum of artists that ranges from Miles Davis to Chet Atkins. Simply put, Lukather’s discography is mind blowing. Quincy Jones’ favorite guitarist, “Luke” has contributed to so many classic albums and tracks his name should be household fare. On June 5, 2008, Steve made it official, “The fact is, yes, I have left Toto. There is no more Toto. I just can’t do it anymore and, at 50 years old, I wanted to start over and give it one last try on my own. Honestly, I have just had enough. This is not a break. It is over…”
Judy Collins Interview
by Rick Landers.
Modern Guitars met with Judy Collins at the Willard International Hotel in Washington, D.C., the day of her show at the Birchmere in Alexandria, Virginia. As one would guess, the artist that prompted the writing of “Suite: Judy Blue Eyes” has a captivating gaze and an elegance and intellect that have been nurtured by her life’s journey. Many of us know that Judy was among the early folk artists during the ‘60s who thrived on the rich camaraderie among musicians, poets and street artists in Greenwich Village. Bob Dylan, Joan Baez, Richie Havens, Tom Paxton, Phil Ochs and Jim McGuinn all roamed the local clubs to find their voices and hone their performances in that era where folkies and beatniks found their roots in traditionalism and strength in avant-garde expression. But, to Judy Collins, they were not only fellow artists, but friends. And today, the bond remains among those early folk revivalists who are now well known artists that the world has enjoyed and honored, over many decades…
Eddie Van Halen Interview (1983)
by Steven Rosen.
The year is 1983. Six albums ago (including the one yet to be released), Van Halen, the group, released its first record - Van Halen. It was dramatic, intense and bold. Within the 11 tracks was a feeling of “This is an important statement.” It was. The energy, passion and technique of guitarist Edward Van Halen set the band apart from hordes of others, and now with the Pasadena-raised quartet about to release its sixth record, it is obvious that Edward stands as the main catalyst of the electric guitar’s ascendancy in the ’80s. Still staggering from the effects of the US Festival (1983), Van Halen sits in his home nestled in the Hollywood Hills feeling bitter about the performance. Ultimately, the show will be viewed as one of the grandest rock ‘n’ roll fests in history, but in the following conversation guitarist Van Halen clears the cobwebs, sheds real light on the concert, and describes the work thus far on the band’s upcoming album. This one will be called 1984…
Robin Trower Interview (2008)
by Matt Baamonde.
Nearly all of today’s blues-rock guitarists are Hendrix influenced to some degree. Few, however, are capable of developing a destinctive, ethereal, almost ‘otherworldly’ tone combined with the tasteful phrasing that characterizes Robin Trower’s body of work. Once considered the heir apparent to Jimi, the ex-Procol Harum, Strat-wielding, English rocker blazed his own path over a long career. Trower has pulled his weight as a band member and on many occasions served as a band leader to plow new territory in the blues-rock fusion genre. Trower’s sweeping and lush riffs on such masterful albums as Bridge of Sighs, Twice Removed from Tomorrow, Passion and other world-wide attention-getting albums have offered him a place alongside such luminary guitarists as Jimi Hendrix, Eric Clapton, Jeff Beck and others who have inspired guitar wannabes to pick up their guitars and play. Robin’s signature sound is identifiable and unmistakably his own…





